“One of the questions I would ask myself early in my career was why a work of art had to be an object of reverence, something displayed on a wall so that the faithful could come and pay homage. I then asked: why not draw the public into the work, so that I would fulfill one part of it and the viewer the other? In this sense, Chromosaturation is no longer a contemplation but a vital experience”
Galería Cayón, Carlos Cruz-Diez 2016, 2016
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